Thursday, 25 February 2010

Plans for the (near?) future

I thought I'd need a long break from music after the particularly draining task of finishing Of How a World Is Built, but I can't help it: when the creative drive grabs you, there's no way to stop it (without driving yourself crazy, that is).

Thing is, there were actually two projects in my queue as I finished that album. To one side, there was a totally abstract and electronic project I wanted to start, based on ideas I had been collecting while working on the album. It would sort of mash-up the styles of electronic music that I have been listening, while crossing it over with other stuff, such as my fascination with TV and radio vignettes. At the other side, though, was the extremely tempting idea to remake, from scratch, one of my older albums.

Right now, I'm about halfway into the latter project. I'm honestly surprised: I see a lot of potential in this work, and I'm eager to get it done. Basically, I took the songs from Musics for Highways, which consisted originally of MIDI songs recorded straight from the Windows General MIDI FM synthesizer, and rebuilt them entirely using the technologies and software I've employed on my two previous albums. I am not treating this as a "remake", as a "new edition" of the album: I'm treating this as the "actual make", as if the previous recording was a mere early draft, a prototype, a rough sketch. What I like about those songs are the naïvety, the lack of pretension, the directness of ideas, and how well they matched the concept of highways and roadtrips. Maybe, just maybe, I'll get one or two tracks recorded soon and published for a preview. For now, just wait anxiously for the release of Oversteps, by Autechre.

Sunday, 21 February 2010

Commercial music

I have a couple of "side interests" that wax and wane in my life, with indeterminate frequency. They range from "pretty ordinary" to "somewhat exotic", from the things that could be mentioned in a friendly chat, to things that would be seen as pretty bizarre, even if there's nothing wrong with them. One such interests is in adverts. It's a somewhat contradictory interest, though: I have never studied advertising, I watch almost no TV at all, read few magazines and almost never listen to the radio. My interest, however, stems mostly from childhood memories, when the TV and the radio were much more present in my life. Once in a while I start hunting for old adverts and jingles that spark a wisp of nostalgia in me, and quickly my interest broadens towards advertising in general.

Recently, I reached a pretty radical paradigm shift, compared to the thoughts I had as a teenager. I have no shame in recognising advertising as an art, though I admit that's a dangerous statement. Dangerous because it's bound to be interpreted in a multitude of ways. Many people think advertising is the beating heart of the consumerist capitalism, that promotes poverty and the destruction of the planet and so on and on. Others think that it's downright sacrilegious to think of an advert, something designed to SELL, as a work of art. Both are empty arguments. The former, because I don't necessarily become a proponent of the evils of capitalism by cherishing one of its elements (and people who think so should start looking beyond the surface of things); and the latter deserves some more discussion.

Let's imagine an advertising jingle, since the main focus of this blog is music. A jingle is commissioned by a company in order to make money, in this case, by selling a product. Some people feel disgusted by that. I say: do you know all those works by so called "classical" composers, which today are performed by expensive orchestras, played in concert halls and recorded by fancy record labels with big names? Those works were also commissioned by rich and noble people, and their goal was also to make money. The only difference, here, is that those composers were not selling anything other than their own talent. But you see, the fact that those works were made for money does not mean that those works can't be works of art. Money and art are not mutually exclusive, unlike many people think. The more "romantic" music enthusiasts think that music must be made exclusively with passion and inspiration, and money should be left aside. That's NOT how the business works; and when I mean "business", I mean, yes, all those artists that are heard and loved for decades, NOT just the media fads.

Also, a jingle is not a product put out in a matter of seconds. Writing a good jingle takes a great deal of talent, of sensitivity, of vision and great skills. Think about it: a regular song can use 3 or 4 minutes and repeated listens to sink into your mind. A jingle has half a minute to do much more than that! A jingle needs to grab you right from the very first seconds, and keep the message in your mind for the rest of the day at least. Sounds easy?

Of course there are many low quality jingles and adverts, that try to get by solely on repetition and exaggeration. But there are adverts that leave a strong impression for years afterwards. There are things that I remember clearly and cherish even after 15 years! Does that mean I am a brainless sheep, follower of mass media? Or does it mean that there are incredibly intelligent, talented people working in that medium? I'm just stating facts here, but there are renowned artists that have worked in adverts. Speaking of Brazil alone, film-maker Fernando Meirelles, director of City of God (one of my favourite films), The Constant Gardener and Blindness, has directed TV adverts. Musicians and famous and respected as Antônio Carlos Jobim and João Gilberto have composed and performed jingles.

You'll say that they have "sold out". Sold out for what? Meirelles's feature films also give him money; Jobim and Gilberto's songs also gave them money. Besides, they were not openly and blandly selling off their image for a product; they were merely being professional artists. We may notice a difference there: it may be extremely annoying when a famous celebrity accepts to sell his image, but what's the matter if the artist truly puts his heart and soul into his work, even if it's just to sell something? In that vein, I remind you that Tom Waits, of all people, has done voiceover work for an advert; in fact, an advert for Purina dog chow (which you can watch HERE). Oh, Waits fans will want to kill me for that one, but I say, what's the matter? Waits does a brilliant job, in an entirely professional way. If he has decided to never do that kind of stuff again, it's for his own principles; doesn't mean the WHOLE act is rotten. Need more examples? What about Frank Zappa and Captain Beefheart offering their music and voice for Luden's Cough Drops? Watch HERE. Amazing work!

Notice, though, that I'm not saying that all artists should be forced to accept their songs used in commercials, or anything; this is a business that requires respect. If someone doesn't want his work or image associated with advertisement (like Tom Waits), he has to be respected. What I am defending, though, is the vision of advertisement as a form of art. And, as with every form of art, you gotta learn to appreciate it.

Monday, 1 February 2010

Of How a World is Built: Officially released

The album is now finished and released. As usual, it's available for free download, both on its official page and on its Jamendo page. Download right now!